Greetings from the San Juans

This being the height of Summer vacation time, I thought it might be interesting to share a few postcards from our recent visit to the San Juan islands — a beautiful archipelago between Washington State and British Columbia.

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Britain and America almost fought a war over these islands, some 85 years after the war of independence. However… the peaceful landscape must have had an impact on the two sides who decided to get together and have a few drinks over a pork roast, instead. (…Note: that is a …somewhat abbreviated version of history).

Maybe these images will give you some fun ideas, too.

Enjoy

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Update: Mid-Summer 09

Happy to announce the launch of our upgraded website… Major changes…
* New front page & logo
* Better functionality (everything is clickable on the front page)
* Automated download for wallpaper images
* Faster loading of the ‘large’ pages (e.g. the “View All” page)
Hopefully this makes your visit more enjoyable all around. And, if you like the new look and feel… credit goes to the team at Lucent Studios — a new, Portland-based development group. Talented artists, web developers and all-around nice guys. (http://www.lucentpdx.com/)

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Along a back country road

On the East side of the Cascade range of Oregon and Washington is high desert. It is a special place of farms and ranches and barns, rugged terrain and gentle rolling hills that almost magically bring forth a technicolor world each Spring, when wildflowers return to put on incredible, mesmerizing displays. Balsamroot, Indian Paintbrush, Poppies and Lupines all show up in overlapping seasons creating some intense and delicate tapestries of intricate floral beauty; a fleeting mirage that only lasts a few weeks of each year, at most.

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On a recent trip to “The Dalles Mountain Road”– a dirt road that traverses some of the best wildflower country of the high desert– we had the good fortune of enjoying all the right conditions for photography: great color, interesting skies, beautiful light and, most unusual… no wind! (Wind is almost always present in those parts). This helped us capture a few images to share… One of them can be seen at this limited Edition page and sixteen more at our South-Central Washington collection

Enjoy.

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The Digital Darkroom

It doesn’t happen as often any more but the word “Photoshop” used to elicit snickers and snide remarks about two headed dogs, alien encounters and sightings of bigfoot… all of which could be made up out of whole cloth as it were, using Photoshop. Computer Graphics, in general, is a field of art undergoing explosive growth, and we are all familiar with films like “The Curious Case of Benjamin Button”, depicting a man aging backwards (!) Fascinating. But, the question is often asked (echoing the old Memorex commercial…) “Is it real or is it Photoshop?”

A lot has been written on the subject and people have even made a moral issue out of it… Is it ‘morally acceptable’ to use photoshop to enhance a photograph? To summarize the emerging consensus most people agree that creativity is indispensable in Photo-art but inapropriate in Photojournalism. I wouldn’t want a police photographer to Photoshop my face on a ten most wanted poster… for art’s sake (!?) But I would most certainly appreciate a Landscape Photographer using photoshop to remove a power line, or aircraft contrail, from across an artistic view of a beautiful mountain bathed in sublime light.

So how far do we take this? How much removing and altering is OK to do? I can only answer that question for myself… As I am often asked… How much “Photoshopping” do I do with my images and what kind…

Actually I prefer the term “Digital Darkroom” to “Photoshop.” Just as in the old days nobody would consider a photograph ‘finished” unless it had been ‘developed’ in a darkroom, likewise my images are not finished in camera. The camera only gives me essentially what amounts to a ‘digital negative.’ Photoshop (the digital darkroom) then helps me ‘develop’ a photograph to match the mental image that was triggered in me when I first saw the original scene.

But, enough with words… Since this is a photo-blog, and a picture is worth a thousand words… I will share two… See below… A picture of a beach scene as it came out of the camera, followed by how it looks now, after I finished developing it in Photoshop. That is typical of how far I, personally, may take an image…

As Paul Harvey used to say… “And now you know…” etc.

_jc72690

morning-_stroll2

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What were they thinking???

_jc731711 OK, I don’t know where I might have put the power line if I was in charge of route selection but, still… I wonder if ‘aesthetics’ was even on the checklist???

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Latest News

New Images added / Live exhibit coming up

* New images added, easiest access at the Recent Additions page — As of this writing you will find images from Hood River, Rowena Point, Portland’s Japanese garden and Cannon Beach / Haystack Rock buds_barn_and_beyond3

Also….
* Mark your calendars… The “2nd Story Art Gallery” at Camas’ beautifully renovated library …………………………………………………………… _jc726183 have invited us to exhibit, we accepted, and we are now formally scheduled to display some of our recent work during the month of August. The reception is on the first Friday of the month (August 7) –during Camas’ “First Friday Art Walk”. You are all invited. (When was the last time you visited downtown Camas? You may be pleasantly surprised.)

FYI… our prints will be on display during the entire month of August at the library so you can visit at your convenience (hours: M-Th 10AM to 9PM, F-S: 10AM to 6PM, Sunday closed. Library Website ). I would highly recommend visiting on the first Friday when you can also take in the rest of the “first Friday” outdoor & in-store exhibits plus get to meet us in person.

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The Sponge Bob Effect

No, I am not a fan, personally, (nothing against, I just don’t fit the profile of the target demographic) but yes, with two grandchildren already I know there is a show called Sponge Bob Square pants on Nickelodeon. And, I am told it is a runaway success with kids of all ages… What does this have to do with Photography you may wonder…

As it happens… I heard a story on NPR this morning that SBSP’s creator (Stephen Hillenberg) was told early on that the show would never succeed… because it violated all kinds of cartoon rules… a square shape and yellow color, two big no-nos, prominent among them. But.. the experts were proved wrong.

I am not familiar with cartoon rules, especially for the pre-school crowd, but I am very familiar with the rules of composition, and technique derived and refined over millennia of human experience in the arts of visual communication. For a nature photographer such rules are an excellent guide in composing a scene in the field. But only as a starting point. Because not all scenes can fit within the boundaries of such rules. Maddening though it may be, every experienced photographer knows that some times the most effective image is the one that violates a bunch of rules. If we always try to squeeze a scene within established rules we often end up with compositions that look ‘forced’ and artificial’. Sometimes it is best to think outside the box and let the scene dictate how it wants to be communicated. Sometimes it follows its own rules. Sometimes, as in trying to tame a wild river, it is best to go with the flow

a_river_runs_through_it1A self-described teacher of photography recently pointed out, in an online forum, that this image (“A river runs through it”) is a throw-away because it violates several rules of photography: 1. there are areas so dark that they contain no visible detail whatsoever, 2. Some spots are so bright that, likewise there is no visible detail and 3. the subject is too centered in the frame. All true statements, actually. Indeed all are violations of the rules of visual communication and all… deliberately so! Because this was indeed the best way to communicate the emotional impact, the drama of the scene as I experienced it.

Through the ages, visual artists have deliberately violated such rules. Rembrandt comes to mind, e.g. his work “St. Peter in Prison” Interestingly the same criticism can be leveled against this image, as against my ‘river…’ 1. Some areas are too dark (around the edges) 2. Some are too bright (e.g. St. Peter’s forehead) and 3. The main subject is mostly centered… Sound familiar?

No, I wasn’t thinking or Rembrandt when I made my image, but I deliberately darkened some areas to prevent the eye from being distracted by unnecessary detail, deliberately let the water highlights be “blown” (the common term for “too bright to the point of lost detail”) to maintain the ’sparkle,’ and deliberately kept the river near the center to preserve sufficient ‘forest context’ and the dappled look of light and shadow interplay on either side. Result: a match to what I experienced in my personal encounter with that scene.

I say let’s learn the rules and use them but let’s not become slaves to the rules… Remember Sponge Bob…

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Waiting for Spring

The last couple of months have been busier than expected, considering how this season is known more for anticipation (see: “Cabin Fever”). But we were able to generate a few new images, which you can see in our recent images page. As of this writing there are images from the Portland Japanese garden and the Portland Women’s Forum / Chanticleer Point… But hurry… Spring will be here at no time and it is one of photography’s busiest seasons so the recent additions page is likely to change frequently. (And feel free to post your comments.)wintry_bridge9

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99c Wallpapers

We have just added a new feature… As you browse through our galleries, and see images you’d like to hang on your wall but are not ready to order prints yet, there is an alternative. For 99c you can now order a screen-sized file (1280 pixels wide) to use as wall paper or screen saver on your monitor. Simply click on the $0.99 Wallpapers link on top of the screen, enter the name of the image you want, and click “add to cart”. This will open a Paypal window. A screen-sized file attachment will be e-mailed to you within 24 hours after order acknowledgement.

Limit one image per order. Not to be resold or incorporated in other work for resale.

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Extreme Photography


In previous posts I have shared how the hardest part of Photography involves an inner battle for self control; moderating emotion with detachment, seeking that perfect balance of nuance and clarity. But the challenges that make nature Photography such a rewarding pursuit are not all staged inside our hearts and minds; external hurdles abound, also. It is all part of the fun.

I am told that many of my images evoke feelings of calm, tranquility and inner peace. E.g. our Olympic Coastline collection , or most of the images in our Limited Edition gallery. I find that encouraging. Both your actual feedback, and to hear of the specific feelings my images generate. Tranquility is indeed one of the emotions I often attempt to communicate. But in this post I wanted to share a little-known secret…

Nature Photography is not always a walk in the park… unless we define the words ‘walk’ and ‘park’ loosely enough to include death defying forays into the outer edges of uncharted wilderness. Ansel Adams even as an old man, frequently ventured off the beaten path , scaling Yosemite’s granite slopes, walking out on dizzying promontories over immense, deadly chasms. Nature’s tranquil beauty is often sequestered behind impenetrable fortresses as if guarded by monstrous sentinels, hidden from view, testing those who would seek to encounter its transformative beauty. How much are they willing to risk?

Spell-bound in this pursuit, nature photographers have been gored by wild animals, fallen off steep cliffs, drowned in unforgiving waters but still, we press on. It is another paradox of our craft, that risking life and limb is often what it takes to create images that convey peace and tranquility.

I snapped the photograph in this post (click to enlarge) to share a glimpse of this reality. A mess of heavy logs stood between the trailhead at the end of a steep forest trail and the peaceful composition of sea stacks bathed in early morning light (see post, below, dated November 28).

Hard enough to make one’s way over such a barrier while carrying a forty pound backpack (not to mention the weight of one’s own advancing years) but the challenge doesn’t end there. Add a layer of slippery frost on top of each log in the pre-dawn hours of late November, then turn down the light, as in having to traverse this barrier in the dark, and you begin to get the idea. Then there are dangers that come with stormy weather or the incoming tide, on any log-littered beach, and the fact that simply falling through such a grid can put one in a life threatening situation…

But, don’t get me wrong, this isn’t meant to discourage anyone from pursuing nature photography, only to share a behind-the-scenes look and so help better to prepare for the quest. For, in the end it is all worth it.

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